REVIEWS 
IT STILL MOVES: LOST SONGS, LOST HIGHWAYS & THE SEARCH FOR THE NEXT AMERICAN MUSIC > by Amanda Petrusich(0)
This book, as its subtitle suggests, is constructed as a sort of report back from the road from musical locales-Nashville, Memphis, the Mississippi Delta-and from research into moments in roots music history-the making of the Harry Smith Anthology, the Lomaxes’ explorations, the founding of No Depression magazine-taken to be key to understanding the direction of [...]
THINGS THE GRANDCHILDREN SHOULD KNOW > by Mark Oliver Everett
An autobiography is all about the life that’s been lived, but for Mark Everett (better known as E, frontman for EELS), that life has largely been about death.
SEVEN SIGNS > Music, Myth & the American South
Not long ago songwriter Jim White served as guide on a vivid, documentary-style tour of southern oddities called Searching For the Wrong-Eyed Jesus. This isn’t that.
ROY ORBISON > The Soul of Rock and Roll
The sheer length and breadth of this four-CD, 107-song box set is undeniably impressive. Not only does it go all the way back to a 1955 recording Orbison made as part of the Wink Westerners, it ends with a live performance of “It’s Over” from his very last concert in 1988-and you can’t get any [...]
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- NOTION SOFTWARE > Progression
- NOTION SOFTWARE > Notion 2.0
- LINE6 > Micro Spider Review
- EDIROL > R-09HR Portable Recorder
- GUILD > Willy Porter Signature Model
- SIERRA > Compass ST10 w/ Bag
- SANTA CRUZ > Otis Taylor Signature Model
- GODIN > 5TH AVENUE ARCHTOP ACOUSTIC
- FENDER > Fender American Stratocaster HSS guitar in Blizzard Pearl
- AUDIX > DP Elite 8 Mic Pack
- DIGIDESIGN: Pro Tools Music Creation Studio
- RANDY NEWMAN > Harps and Angels
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- CALEXICO > Carried to Dust
- DR. DOG > Fate
- MILES ON MILES > Interviews and Encounters with Miles Davis edited by Paul Maher Jr. and Michael K. Dorr
- SONGWRITING > A COMPLETE GUIDE TO THE CRAFT by Stephen Citron
- THE MUSIC OF JONI MITCHELL > by LLoyd Whitesell
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- SUPERSCOPE TECHNOLOGIES > PSD330
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- M-AUDIO > Micro-track II
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